Intermission III: An Oscar-Worthy Trip to LaLaLand

The final week of a great trip is always tough. Each day seems to pass quicker than that preceding it, and the list of things to see and do inevitably grows longer as one becomes better acquainted with their surroundings; immersing themselves further into the fabric of a place.

This is how it went for my sister, Katya, and I in the last few days prior to her departure. We packed it all in: Universal Studios, LA downtown (we needed to drive by the Cecil Hotel, currently making crime story worthy news), Malibu, as well as a side trip to San Francisco. We made pit stops at all of Urth Caffe’s locations, scattered over different parts of LA, and managed to catch some spectacular sunsets either from the car, or from a prime vantage points.

Though the trip may have started with tourist spots at the forefront, it finished with talk of a UCLA transfer. I couldn’t have been prouder – Katya had successfully transitioned from wide eyed tourist to enthusiastic traveler. Here are some highlights of the final days in LaLaLand, and beyond.

At The Getty Villa, Malibu

At The Getty Villa, Malibu

Seated Hermes, Greek God of travel and commerce

Seated Hermes, Greek God of travel and commerce

Malibu Pier

Malibu Pier

City lights from the Griffith Observatory

City lights from the Griffith Observatory

Sunset from the Griffith Observatory

Sunset from the Griffith Observatory

Lombard St, San Francisco - the world's windiest street

Lombard St, San Francisco – the world’s windiest street

Painted Ladies houses line Alamo Square, San Francisco

Painted Ladies houses line Alamo Square, San Francisco

My sis and I making heart shadows

Me and my sis making heart shadows

Sea Lions at Pier 39, San Francisco Wharf

Sea Lions at Pier 39, San Francisco Wharf


Views from Sausalito -  joined to San Francisco by the Golden Gate Bridge

Views from Sausalito – joined to San Francisco by the Golden Gate Bridge

Me and my sis - meeting of the minds as we look over the view from Sausalito

Me and my sis – meeting of the minds as we look over the view from Sausalito

Golden Gate Bridge via iphone

Golden Gate Bridge via iphone

Sis taking pics

Sis taking pics

Panorama via iphone

Panorama via iphone

San Fran's Filbert Street at night

San Fran’s Filbert Street at night

Francis Ford Coppola's, Cafe Zeotrope

Francis Ford Coppola’s, Cafe Zeotrope – in San Fran


My sis with The Simpsons, at Universal Studios

My sis with The Simpsons, at Universal Studios

Sunset views of LA's downtown

Sunset views of LA’s downtown

Tree line from Elysian Park, near Echo Park, LA

Tree line from Elysian Park, near Echo Park, LA

Farewell cake made by my husband for my sis - Raspberry baked cheesecake accompanies by prosecco topped with those red berries

Farewell cake made by my husband for my sis – Raspberry baked cheesecake accompanied by prosecco topped with those red berries

Love for New Beginnings

This post is symbolic of a fresh start.

A Rockrose Grows in Laguna Beach, CA

I am moving in a new direction with my career; a foray into the bountiful world of travel writing and travel photography. My love for media: magazines, books, the Internet, and (travel) shows is unwavering – as well as indulging in them, I hope to be writing for them soon.

I’m signed up with Matador Network so over the next couple of months I’ll be doing a whole lot of learning, reading, writing, and snapping. One of the requirements was to create a blog for coursework submissions; if you’d like to critically comment on my words, here’s your chance!

Breathing Travel | Documenting the journey (or )

I’ll continue blogging from here with updates; it’s where the ‘push’ happened after all.

I cannot wait for the journey ahead.

Twenty years from now you will be more disappointed by the things that you didn’t do than by the ones you did… so throw off the bowlines. Sail away from the safe harbour. Catch the trade winds in your sails. Explore. Dream. Discover. ~ Mark Twain

At Griffith Observatory, LA, CA

A Setting Star, Observed – Griffith Park, Los Angeles,CA

I have yet to see a sad sunset.

Sunsets are magical and awe-inspiring; each one, a horizontal brushstroke of fire painted along an ever changing sky that gradually transitions from a blissed-out blue to a pinkish-yellow to the glow of gold… ultimately, giving way to a star-speckled pitch black.

Watching the progression of a setting sun from an elevation of over 1,000 feet high, on a platform that provides 360 degree views of Los Angeles, strings together a series of memorable moments  –  the combination of this phenomenon from an up-high LA shows off the city’s built and natural beauty in a mystical way.

How apropos that this is the location of the gorgeous Griffith Observatory.

A post worthy of more images, less words; here is a progression of the sun’s end-of-day rotation as witnessed from the circumference of one of California’s most loved landmarks. Enjoy!


A perfect prelude –  an iconic view whilst ascending Mount Hollywood in Griffith Park, LA.

The domed background demands attention; tourists go hardly-noticed.

A solar entrance.

LA’s sprawling city vista; needing to engage in telescopic activity.

Open space, generous mountain views. Spotting the Hollywood Sign in the distance. The Astronomers Monument, to the right, pays homage to six of the greatest astronomers including Galileo and Newton.

A hiking trail runs through it.

Lines and details in Greek Revival architecture.

In transit.

My devoted fellow traveler.

A telescope in the shadows.


Wild flora against an urban sprawl.

Winning hearts: the Observatory’s architecture is so ornate, so detailed. Will power – thanks to Colonel Griffith J. Griffith who funded the landmark, and architect John C. Austin who based the design on the preliminary sketches of Russell W. Porter in the early 1900’s.

Coming full circle: monumental moments just around the corner…

…and not only of the built kind. A sun-kiss: first signs of a setting star.

A staged scene, cosmically inspired.

One giant telescope…

… ideal for planet-scoping.

Immortal Hollywood – this was a site in the film, Rebel Without a Cause, starring James Dean.

The horizon, aglow.

A line of fire.

The descent of darkness – meaning: time To Telescope.

LA glitter.

Downtown, illuminated. Very Blade Runner-esque.

Nightlife… leading to camera flashes – paparazzi (!)…

… leading to a well-lit discrete exit. So very LA.

A Glimpse: Kaleidoscopic Kalifornia

Looking at the world through rose-tinted glasses…

Well, any pair of sunglasses will do as a sun-drenched Southern California – affectionately referred to as SoCal – naturally dons a pink tinged hue.

Having lived in San Clemente and Los Angeles for two years, it was exhilarating to return to the old stomping grounds after over a year-long absence. Complete immersion meant a daily embrace of the great outdoors; watching the changing colours of an always spectacular sunset; and falling, with ease, into a laid-back lifestyle that included much coffee-and-carb indulgence by day, and pressing of lip-to-champagne flute by night.

Sun-soaking and gastronomy aside (these activities were/are by no means mutually exclusive), admiring SoCal’s vistas was a soul-awakener. Appreciating its wild and urban landscapes through a fresh pair of eyes inevitably brought to mind the cliché: “The grass is always greener…”

What I love about SoCal are those pops of colour that are woven into its fabric, be it natural or with compliments of a street artist. Like a daily vitamin boost, the bright paintbox used to decorate the region provides a natural high; the various shades of bright-against-brighter are a quick fix to lift the spirit, even when rolling out of bed to welcome a fog-induced or overcast day.

All the while, a predominance of pink against green abounds.

During my travels in SoCal, I attempted to throw any, and all, of its stereotypes to the wind. I wanted to appreciate it from a grass-roots level; at the same time, acknowledge those industries – film, architecture, arts – that put its cities on the map.

I achieved that as best I could in a short space of time. The evidence is in the details.

Enjoy the prologue to a series of posts that I’m looking forward to dedicating to SoCal’s natural and urban palette. Starting from the southermost point of the trip, in Carlsbad, and ending in Los Angeles County – to the north, I hope you’ll join me on this trip.

A note of caution: the communities of SoCal are so diverse and spread out, you may feel as if you’re jumping from town, to ‘hood, to hilltop – all in one post. No fear: this is simply an introduction.

I’d be interested in your feedback – opinions, perceptions, and experiences – of Southern California. What you love about it, and what you don’t; what you may associate with it, and what may come as a surprise to you.

“Every time you can walk in another person’s shoes, the world is a slightly better place.” ~Anthony Bourdain

For now, enjoy an introduction to the makeup of SoCal!


A blindingly bright sun, vast spaces, and the smell of a nearby ocean are instant reminders as to why Southern California is one of the best places to live well.


The Flower Fields are located in the coastal city of Carlsbad – a necessary stop for those who have always dreamt of being engulfed in a mass of blooms, not unlike those of Dutch tulip fields. Here, the slopes of the hills at Carlsbad Ranch are painted in stripes of yellow, white, purple, orange, and red, in a grid-like formation; crops of ranunculus flower for 2 months of the year during the spring. Symbolic of new life – regeneration through replanted bulbs – this sea of blooms set against a backdrop of infinite blue is a dazzling sight.

Flowers are restful to look at. They have neither emotions nor conflicts. ~ Sigmund Freud

I’ve always thought my flowers had souls. ~ Myrtle Reed

A scenic drive, further up the coast…


… along Route 5, a highway edged by palms and decorated with a glistening ground-cover of the flowering evergreen Purple Ice plant; past the military site of Camp Pendleton, after which the road eventually leads into the Nixon-associated town of San Clemente, in Orange County (OC).

The hot pink of Bougainvillea is so prominent; the plant’s foliage and blooms spill over the terraces of Spanish Colonial styled villas and fringe the pathways of San Clemente’s residential streets.

A sparkly ocean mesmerises visitors and residents; its waves seduce surfers. Located close to the equator, the sun always shines brighter in this vacation town.

A little more north…


A leisurely twenty minute ocean-side drive ebbs and flows as the road leads into luxe Laguna Beach. Inspiration for artists since the 1800s, its steep cliffs are testament to the beauty of an unspoiled landscape; their rugged faces filled with homes, as well as an assortment of native shrubbery and flowers, punctuated by statuesque palms along the upper edges.

Laguna: a retreat for writers, Hollywood stars, and artists. Charlie Chaplin, Judy Garland, Rudolph Valentino, John Steinbeck, and Mickey Rooney escaped here. The house below is located in the space where Bette Davis’ former home stood.

The expanse of blue hues viewed from the Rooftop Lounge of the historic La Casa del Camino Hotel call for endless champagne toasts. Twist my arm.

I’ve always found that seafood served near the ocean tastes better. Decadent eel sushi and cold bold sake at Hapi Sushi; the restaurant’s name, perhaps a spin on the oft-felt emotion of travelers and residents who wrap themselves in Laguna’s lush surroundings.


Traveling a couple of hours, away from the OC and into Los Angeles County. The freeway traffic flow is a steady one, for the most part.


In an inland direction: LA’s urban sprawl is made up of a number of vastly different communities. The city boasts an enviable sunset – its brush stroke of pink, yellow, purple and gold along the horizon is best seen from Griffith Observatory, up in the hills near Griffith Park.


Minutes away – say 15 or so, sans traffic – downtown LA bustles. Surprisingly easy to navigate, this part of the county is undergoing a revival. Art galleries, historic architecture, and new dining spots feed off of one another in an area on the up. Downtown living means escapism in the midst of skyscrapers. Perfect example: Figueroa Hotel’s pool terrace is a resting spot for the uninhibited in the midst of surrounding commerce.

Nearby, the fruits borne by a neighbourhood undergoing gentrification: lofts, Porshes, and blushing blooms.

In the midst of it all, a creative community resides; its art colours a still-industrial neighbourhood.

In another part of downtown, more art abounds. Amongst institutions dedicated to contemporary works and music, stands an undulating design by Frank Gehry: the Walt Disney Concert Hall. Reminiscent of SoCal’s natural surroundings, a part of its architecture takes on the look of an unopened tulip; even a rosebud, nipped.

Further afield, close to downtown LA…


Los Angeles County Museum of Art makes for a bold statement through design, colour, and a palm-dominated landscape. Its exterior is as beautiful as its art filled interior.

Better still: the Renzo Piano designed outdoor/indoor dining space – Ray’s and Stark Bar – doesn’t shy away from serving up heady liquid artworks of its own. Tequila, orange, and ice – such are the beverages prepared by innovators manning the liquor cabinet.

Onwards toward creative pastures of a different nature, not too far away…


Overcast skies don’t darken or dampen the ambiance of bohemian Silver Lake; the neighbourhood brims with street art, reflective of a creative community, alongside modern architecture. Case in point: modern architect Robert Neutra’s former office is located here, by Silver Lake Reservoir.

What’s more, the resident trend-setters take their coffee very seriously. Artisans on the rise.


The plush and posh Beverly Hills is emblematic of hedonism and history; well tended gardens, magnificent mansions, grand tree lined streets; once home to Marlon Brando, Lucille Ball,and Doris Day, and now home to Bill Cosby, Rod Stewart, and Diane Keaton.

Along its wide streets, playful architecture draws on LA’s cinematic roots….

.. and gives way to classic icons -pretty in pink, the famed Beverly Hills Hotel graces Sunset Boulevard.

Close by…


A place where all the touristic action takes place. Yes, one may immediately think: Walk of Fame, the Wax Museum, and the Grauman’s Chinese Theatre, with handprints of celebrities implanted by its entrance. Think this once: see it all, appreciate it for what it’s worth, and move beyond the crowds.

Seek out the Cirque du Soleil, Kodak Theatre, Capitol Records Building, Amoeba Records; perhaps make some time for a glass of bubbly at the historic Hollywood Roosevelt Hotel. Hike even, and be wowed by viewing the Hollywood Reservoir and landmark Hollywood sign, up close.


Spectacular architecture is built into Hollywood’s hilly backdrop; the Hills are alive with modern homes, Mediterranean inspired villas, and imaginative designs of a whole other level – Frank Lloyd Wright’s Ennis House made famous by Bladerunner, and John Lautner’s Chemosphere House (below), are a couple of impressive name-droppers.

Meanwhile, modern lines and pink storefronts dominate on nearby Melrose Avenue, in West Hollywood.

Back to the coast…


Dr Feelgood: breathing in the salty air, courtesy of the Pacific, does the soul alot of good.

In this part of LA, multi-million dollar homes line the water’s edge and are set into its steep hills. Malibu Pier offers spectacular 360 degree views – for free.

Malibu – home to alcoves and private beaches, wineries, acclaimed Nobu restaurant, and the delightful Mediterranean-inspired Getty Villa. From this museum, you can view the ocean whilst staying cool in the mountains.

Its gardens are worthy of a visit alone.

Down South from Malibu…


This is the place for beachside city living and a haven for outdoor exercise pursuits – located only a half hour away from the Hollywood Hills. It’s expanse of beach is interrupted by a few volleyball courts, lifeguard huts, and a boardwalk catering to cyclists, dog-walkers, joggers, roller-bladers, and leisurely strollers.

The Santa Monica Pier can be seen from miles away; so much larger upon closer inspection. A few streets back from the beach, the city offers boutique shopping and a location of the ever-popular Urth Caffe – this is an excellent spot for coffee and farm-to-table dining.

Adjoining Santa Monica is the trendier…


Art colours the streets; restaurants are full at noon; galleries, boutiques, and homewares stores are made for window shopping and browsing. Whilst it may be known for the famed boardwalk along its Muscle Beach, a stroll along Venice’s main street, Abbott Kinney, and a meander alongside the town’s canals is a much more pleasurable experience.

In closing…

Southern California, from sunrise (if you’re up) to sunset is a beautiful area of the US. By virtue of geographic location alone, the light that colours the horizon is sublime; its ever changing hues gently unfurl from pink, to purple, to burnt yellow, to gold. Yet it is the added drama of the region’s bold urban and natural landscape that makes the experience all the more unique and memorable.

From one community to the next, colour abounds – in its architecture, natural landscaping, art, people. An entertaining kaleidoscope.

This is a sampler of SoCal; a taste of things to come.

Passing the Days from Laguna to LA, SoCal

Southern California: it’s intoxicating and exhilarating; historical and modern. The stretch of coastline from Laguna Beach and into Los Angeles’ urban expanse is worthy of a few posts that I am looking forward to sharing with you soon.

For now, I leave you with a couple of parting shots taken in Los Angeles yesterday, in commemoration on what would have been Joan Crawford’s birthday – today (March 23, 1908 – May 10, 1977).

Hollywood is like life, you face it with the sum total of your equipment. ~ Joan Crawford

Views of Hollywood sign, and LA’s sprawl (below) taken from The Griffith Observatory, Los Angeles, CA.

Shulman Inspired, California Desired

I think it’s just a beautiful way of thinking of my dad and Los Angeles as siblings. They really did grow up together ~ Judy McKee, daughter of Julius Shulman

Shulman’s pictures have this base of romance to them. His work represents a certain ideal that happened years ago ~ Ed Ruscha, artist

History is strange. Here, it becomes mystical ~ Julius Shulman, on Los Angeles

Singleton House, Los Angeles, 1960 ~ Neutra, Richard Joseph, Architect

It is possible that in a span of 24 hours I have garnered a greater appreciation for Californian architecture than ever before; attributed largely to the spirit and optimism of one of the leading photographers of the 20th century, Julius Schulman (1910-2009).

Sparked whilst viewing the 90-minute documentary, Visual Acoustics: The Modernism of Julius Schulman, I have fellow bloggers, All About Travel and The Way I See It, to thank for recommending it to me in response to my Vintage Inspired California post.

I was ordained to become a photographer, I was destined... ~ Julius Shulman

Miller House, Palm Springs, 1937-41 ~ Neutra, Richard Joseph , Architect

Film director and producer Eric Bricker did an excellent job in providing a glimpse into the life of Mr. Shulman. Filmed when he was already in his mid-nineties, Shulman came across as a man of quick wit who exuded joy for just living life. He had an unwavering love for Los Angeles and exibited a strong passion for his craft.

Life is good. Life can be beautiful. What more can I ask? ~ Schulman, on receiving his Honorary degree from Westbury University, CA at age of 90-something.

University of California, Irvine, 1968 ~ William L. Pereira Associates , Architect

The film introduces us to Shulman in the grounds of his Los Angeles home, located high in the Hollywood Hills. It then traces the history of his work through personal recollections, documents the difficult process of handing over his works to the Getty Center, and leads us into the historical present – when Shulman was honoured with a Doctorate of Architecture. The whole way through the film, I was wishing I had researched his work earlier; I wish I had met him.

The whole story of my life will now be transposed to Mr. Getty’s Hall ~ Julius Shulman

Shulman House, Los Angeles, 1951 ~ Soriano, Raphael, Architect

Shulman House - another perspective

Julius Shulman’s Home designed by Raphael Soriano, 1951. (© J. Paul Getty Trust, Julius Shulman Los Angeles: The Birth of a Modern Metropolis by Sam Lubell and Douglas Woods, Rizzoli New York, 2011.)

Having lived in Southern California for a couple of years, from 2008 -10, I was drawn to the simplicity of LA’s modernist architecture; designs similar to those Shulman first photographed that subsequently propelled him to the stature of  “most important architectural photographer in history,” as described by gallery owner Craig Krull.

Craig Krull exhibited Shulman’s photographs in an art show – he believed Shulman elevated the genre of commercial architectural photography to a fine art form – and was instrumental in the final decision for selecting The Getty Research Insitute as the ideal institution to archive the photographer’s collection of works.

Hensman House, Los Angeles, 1976

AISI "Style in Steel Home", Buena Park, 1967 ~ Wexler, Donald, Architect

AISI "Style in Steel Home", Buena Park, 1967 ~ Wexler, Donald, Architect

Franks House, Los Angeles, 1968 ~ Farber, Rick, Architect

Beverly Hills Hotel, Addition, Beverly Hills, 1950 ~ Williams, Paul R., and Grey. Elmer, Architects

Beverly Hills Hotel, Addition, Beverly Hills, 1950 ~ Williams, Paul R., and Grey. Elmer, Architects

In 1936, having just returned to L.A. from a dismal seven year stint at University of California Berkeley, Shulman accompanied a draftsman to the Kun Residence of pioneering modernist architect, Richard Neutra. Still under construction, Shulman took 6 photographs of the home with a Kodak Vest Pocket 127-format camera. Upon being shown the photos, Neutra noted that they “revealed the essence of my design”. He bought the photos and asked Shulman to photograph more of his houses.

“March 5, 1936 — I remember the day — we shook hands for the first time,” Shulman had said in an interview with the LA Times. “I met Richard Neutra, and that was the day I became a photographer.”*

That’s no small feat for someone who dropped out of UC Berkeley on a whim to pursue a more creative career path.

Julius Shulman and architect Richard Neutra at the Tremaine House, Los Angeles, 1947

It was the modernist aesthetic of SoCal’s architecture, designed by emerging architects as well as more established masters – the legendary Frank Lloyd Wright, visionary John Lautner, and of course Neutra – that provided Shulman with his photogenic subjects.

His work will survive me.  Film is stronger and good glossy prints are easier to ship than brute concrete, stainless steel, or even ideas ~ Richard Neutra

High profile magazines, such as LIFE and Arts and Architecture, introduced his interpretation of the West Coast lifestyle to the rest of the world and helped elevate LA as a destination for progressive architecture, art and culture.

Shulman became an invaluable contributor to the burgeoning architectural movement not only as a correspondent but as talent scout and respected tastemaker as well ~ narrates Dustin Hoffman in Visual Acoustics.

Academy Theatre, Inglewood, 1940 ~ Lee, S. Charles, Architect

Academy Theatre, Inglewood, 1940 ~ Lee, S. Charles, Architect

Beverly Hilton Hotel, Beverly Hills, 1956 ~ Welton Becket and Associates, Architect

Beverly Hilton Hotel, Beverly Hills, 1956 ~ Welton Becket and Associates, Architect

Shrine Civic Auditorium (Los Angeles, 1975 ~ Adelman, Abraham A. , Lansburgh, G. Albert, Austin, John C. W. - Architects

The Case Study House Program was an unprecedented experiment in architecture, run by Arts and Architecture Magazine. It was initiated with the intent of creating well-designed homes for the typical Post WWII family. Many designs were immortalised by Shulman’s lens. The photograph of Pierre Koenig’s Case Study 22, below, was described as one of the ‘most evocative images of 20th Century architecture’. See my Vintage Inspired California post for more examples from this program.

Case Study 22 ~ Koenig, Pierre, Architect

“Your pictures are incredible for an amateur and better than most professionals,” wrote Frank LLoyd Wright, in a note to Shulman after he’d photographed one of his designs.

You may recognise some of the interiors, below, from the movie: Bladerunner (Bradbury Building and Ennis House).

Bradbury Building, Los Angeles, 1970 ~ Wyman, George, Architect

Bradbury Building, Los Angeles, 1970 ~ Wyman, George, Architect

Charles Ennis

Ennis House, Los Angeles, 1953-68 ~ Wright, Frank Lloyd, Architect

Ennis Interior

Ennis House, Interior ~ Wright, Frank Lloyd, Architect

Storer House, Los Angeles, 1985 ~ Wright, Frank Lloyd, Architect

Julius Shulman breathed life into his architectural photographs by capturing the harmony of homes within their surrounding landscapes, and by artfully composing interiors from a one point perspective – so that ‘the modern (would) unfold in a beautiful way.’

Somehow he’s able to put so much of himself into the vantage point that you feel his presence in the room even if he’s not in the frame ~ Tom Ford, designer

Shulman captured the essence of Modernist architecture – its form and function in tune with nature.

Malin House "Chemosphere", Los Angeles, 1961 ~ Lautner, John, Architect

Burgess House, PalmSprings, 1984 ~ Frey, Albert , Architect

Burgess House, Palm Springs, 1984 ~ Frey, Albert , Architect

Silvertop, Los Angeles, 1980 ~ Lautner, John, Architect

Century Plaza Hotel, Los Angeles, 1966 ~ Yamasaki, Minoru, Architect

Ultimately though, it was Shulman’s spirit, attitude, and sense of humour that made him a success. In response to a question about the enjoyment and passion he exhibited for his photographic work, Shulman replied rhetorically, “Yes (I enjoy my work) – what else is there?”

I have this vision of him wandering around, whether it’s in the hills or in the town, seeking the world through his camera ~ Judy McKee describing Shulman’s jaunts in Los Angeles

Mobil Gas Station, Smith and Williams, Anaheim, 1956. (© J. Paul Getty Trust, Julius Shulman Los Angeles: The Birth of a Modern Metropolis by Sam Lubell and Douglas Woods, Rizzoli New York, 2011.)

Johnny's, Los Angeles, 1956

Los Angeles County Museum of Art, 1965 ~ William L. Pereira and Associates, Architect

Town & Country Restaurant, Palm Springs, 1949 ~ Jones, A. Quincy, Williams, Paul R., Architect

Shulman’s passion for his craft carried well into the last years of his life; he never really retired a career that spanned seventy years. Even in his nineties, he had no trouble directing his photographer associate, Juergen Nogai; he’d express his opinion, and firmly stood by it.

“I control what I call, the visual acoustics,” he said after a slight disagreement with Nogai whilst photographing Gehry’s Walt Disney Hall in Los Angeles –  a scene depicted in Visual Acoustics.

Together, Nogai and Shulman collaborated on photographing close to 200 houses; revisiting locations previously photographed by Shulman as well as building a client list of new contemporary architects, including visionary Frank Gehry. NB: Schulman helped Gehry land his first client.

Blue Jay House, Los Angeles • Zoltan Pali, Architect. © Julius Shulman and Juergen Nogai

Disney Hall, Los Angeles, Frank Gehry, Architect. Julius Shulman and Juergen Nogai

Shulman’s spirit lives on through the rich legacy he left behind: from on-going exhibitions at The Getty Center their archive includes 260,000 of Shulman’s negatives, transparencies and prints; to working with book publishers including TASCHEN; to forming the Julius Shulman Institute at Westbury University in Burbank, with goal of promoting an appreciation and understanding of the built environment, particularly as mediated by photography.**

Shulman remained a faithful steward to the modernist ideal. Ultimately his vast photographic archives would become an indispensable resource as public taste later turned enthusiastically back to modernism.~ Visual Acoustics

His archives have continued to be just that – a trove of inspiration; a visual reminder of the modernist movement that swept California in the early-mid 20th century, as well as a documentation of the development of LA as a city.

Robert L. Frost Memorial Auditorium, Culver City, 1963

San Diego Stadium, 1967 ~ Frank L. Hope & Associates, Architect

Stuart Pharmaceuticals, Pasadena, 1958 ~ Stone, Edward Durell, Architect

Looking Over Griffith Observatory and Los Angeles From Mount Hollywood, 1936. (© Craig Krull Gallery, Santa Monica, Julius Shulman Los Angeles: The Birth of a Modern Metropolis by Sam Lubell and Douglas Woods, Rizzoli New York, 2011.)

This photograph was taken in 1936, a year after the Griffith Observatory had opened, bringing scientific advancement to a publicly accessible peak in Griffith Park.

* **